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Dante and Randall are the patron saints of wise-ass wage slaves everywhere, while Jay & Silent Bob (and their real-life counterparts, Jason Mewes and the film’s auteur, Kevin Smith) represent the freedom (and hazards) of life beyond timecard conformity.
— (1971) ### Probably the cultiest big-name American director of his generation, Stanley Kubrick in his prime had a delightful habit of concocting large-scale outrages, presenting major studios with the bills, and making them like it.
But what truly makes the Jimmy Cliff vehicle a classic is its indelible soundtrack, which helped to introduce Jamaican reggae to the world. You could say that only in 1971 could Bud Cort and Ruth Gordon pass for movie stars, let alone as a movie-star couple.
But then, a lot of people who love this movie weren’t even ‘ formula for black comedy — murderous slapstick and invented, baroque teen slang — made it one of the most influential cult hits of the late ’80s.
For me, however, the most shocking part of that interview was how closely the former First Lady’s informal cadences mimicked those of her cousin “Little Edie” Beale, the eccentric and beloved star of this paean to impoverished gentry, defiant individuality, and the perils of utter denial.
— (1972) ### Like many films on the list, this offbeat, low-budget crime story failed during its initial run in theaters, then later gained an enthusiastic word-of-mouth following thanks to midnight screenings.
His urban sci-fi black comedy about violence and free will made Malcolm Mc Dowell an icon and changed the way people think about movie brutality, and also how they hear “Singin’ in the Rain.” — (about a futuristic game show based on running over pedestrians) just about demanded that someone step up and create the video-game industry, so that its gimmick could find its true home.
Holding the loose elements together is David Carradine, a natural star and a man whose whole life was a cult movie — one where too many of the best parts probably happened when no cameras were around.
The first twenty minutes — featuring freelance dominatrix babes racing their sports cars in the desert and killing anyone who looks at them funny — are like a drive-in movie from Mars. — (1999) ### With the end of the millennium breathing down his neck, director David Fincher and his stars — Edward Norton, Brad Pitt, and Helena Bonham Carter — took a deep breath of their own and plunged into the deep end.Jean-Luc Godard’s tale of lovers on the lam was itself inspired by film noir, and has since returned the favor by influencing the style of countless Hollywood film and TV productions, from is the wildest and greatest of all the classic Universal horror movies, and, with Ernest Thesiger’s high-camp performance as the misanthropic mad scientist, an early Hollywood landmark of coded gay sensibilities.— (1974) ### Ornery genius filmmaker Sam Peckinpah effectively dynamited what was left of his Hollywood career with this movie, which was released to universal condemnation but endures as one his most personal films.Samantha Eggar plays a woman who becomes so successful at channeling the rage she feels towards her parents, her estranged husband, and others, that she literally births a series of monsters that brutally attack whoever she’s mad at.Cronenberg, who conceived the film while going through a divorce, calls it his version of made a big splash for its DIY aesthetic and ear for vulgarity, but its lasting appeal suggests it has a kind of universality.